Which of the Following in the Spanish Speaking World Offers the Services That Art Classes

(Fifty–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, most of what nosotros learn about art history today still centers on white men from Europe and, later on, the Usa. In reality, there are so many more artists of all genders to acquire from and appreciate.

Here, nosotros're specifically taking a wait at just some of the women who accept had lasting impacts on their art forms. From some of the fine art earth's well-nigh iconic pioneers to its most unsung heroes, these women artists all had a manus — and, in some cases, still have a hand — in changing the world of fine art and how nosotros define it.

Laura Wheeler Waring

Laura Wheeler Waring'southward portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than than 30 years. Later on studying the work of painters like Cézanne and Monet while abroad, she returned to the The states, condign best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Motion-picture show Stills (1977–eighty). series. Photos Courtesy: Museum of Modernistic Art (MoMA)

Photographer Cindy Sherman was function of the Pictures Generation during the 1980s, and is mayhap most well known for her series of Untitled Film Stills (1977–eighty) — self-portraits in which Sherman "posed in the guises of diverse generic female person film characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media'due south influence over our individual and commonage identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a picture of the installation One-half-A-Room, 1967, equally seen at the Museum of Modern Fine art in New York Metropolis in 2015. Photos Courtesy: Museum of Mod Art (MoMA)

You might get-go think of Yoko Ono as a musician and activist, but she's as well an accomplished performance and conceptual creative person. Ono was considered a pioneer in the performance art movement, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cutting Piece, was a performance she first staged in Nippon; Ono sabbatum on phase in a dainty suit and placed pair of scissors in front of her, and, in an deed of daring vulnerability, invited audience members to come on phase and cut away pieces of her clothing. "Fine art is like breathing for me," Ono has said. "If I don't exercise it, I start to choke."

Betye Saar

Betye Saar's Black Girl'south Window, 1969 (full and detail). Photos Courtesy: Museum of Mod Fine art (MoMA)

Earlier condign a printmaker and activist, Betye Saar studied design and was employed equally a social worker. A printmaking elective changed her entire career trajectory — and, in turn, part of the trajectory of art history.

Saar was part of the Black Arts Move in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of art, then you lot might be able to give them some sort of bulletin."

Frida Kahlo

People expect at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo often used bold, brilliant colors to create her symbol-rich works, and was regarded as ane of the almost influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs within the Backwash of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she'south besides known for her hyper-real sculptures, polka dots, installations, and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, ofttimes doing everyday activities — something that became more than common in portraiture writ large in the mid-19th century. Odds are that y'all recognize Sherald'southward piece of work — and her signature grayscale skin tones — as she was the showtime Black woman to complete a presidential portrait for the Smithsonian'southward National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Red With Xanthous in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the female parent of American modernism, you lot likely associate Georgia O'Keeffe with her paintings of New Mexico'south landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York Metropolis. In the 1920s, she was the outset woman painter to gain the respect of the New York art globe, all past painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Panthera leo for best artist in Okwui Enwezor's biennial exhibition All the Earth's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Enkindling/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her piece of work to question society, identity, and racial politics by enervating the audience to face truths most themselves. She often challenged people on the streets of New York to guess her race, socio-economic course, and gender — all while dressed every bit a Black homo with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, film, and video piece of work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer continuing in front of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer'southward work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act every bit meditations on various concepts, such as trauma, knowledge, and hope. One of her more notable works, I Scent You On My Skin, makes the viewer question what kind of sentiment the judgement conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Fine art Gallery of Ontario (AGO)

Much of Rebecca Belmore'due south art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. Every bit an Anishinaabekwe artist, she works to raise awareness effectually the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the start Indigenous woman to represent Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation art and sculptures — like the spider above — which were inspired past her ain experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual fine art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Petty Taste Exterior of Dearest, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past pop civilization and pop art, Mickalene Thomas oftentimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody ability and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art motility. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California Land University in Fresno, Chicago founded the starting time feminist art plan in the United States.

Augusta Savage

Augusta Brutal with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Eatables

Augusta Vicious was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating scenic sculptures, oft of Black folks, Savage founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modernistic Fine art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Just wait upward her well-nigh famous work, Interior Scroll, and you'll see what we hateful.) She used her body to examine women's sensuality and liberation from the oppressive artful and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photograph Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In improver to documenting New York City'south queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'southward Marilyn Monroe (1967) by Elaine Sturtevant. Photograph Courtesy: Ben Stanstall/AFP/Getty Images

Does this wait like an Andy Warhol to you? Well, that'due south the idea! Elaine Sturtevant, who went by her final name professionally, was a conceptual creative person known for her inexact replicas — that is, non-quite-right copies of large-name artists' work.

Some artists and critics encouraged her efforts, while others became quite aroused. Still, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Immature Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa'southward last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during Earth War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York Metropolis. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of nine. She uses her photography to examine social norms, and, in doing so, displays diverse subcultures in formal portraits — only in a way that conveys power and respect past evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Bear upon Laurels at the Indiecade Festival in 2020 and the Artistic Honor from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to accost global issues such every bit racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Fine art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who too specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Assistants (WPA).

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