Why This Forgotten 'Toy Story 3' Character Is the Darkest Pixar Villain Ever
The prolific and distinguished film career of the late Ned Beatty, who died recently at 83, began memorably with his introduction carrying into action as a city slicker famously admonished to squeal like a pig during a boys trip gone awry alongside Jon Voigt, Ronny Cox, and Burt Reynolds in Deliverance, John Boorman's classical 1973 exploration of survival.
Several decades later, at the same stop of an extraordinary career that sawing machine him flourishing in everything from bragging-budget popcorn menu like Superman to broodingly intense dramas like Network, All the Chairwoman's Men, and Mikey and Nicky, Beatty made an ineradicable impression as the voice of the headspring bad guy in a movie nearly as saturnine as Saving but pitched to more of a family consultation: 2010's Toy Story 3, which has the distinction of being one of only three enlivened films nominated for a Best Picture Oscar (Up and Beauty and the Beast are the other two).
Toy Story 3 is the best, darkest, most philosophically and metaphorically rich entry in the Toy Story dealership, one of the greatest and to the highest degree beloved in all of pop culture, not just animation, in no small part due to Beatty's masterful performance as Lots-o'-Huggin' Bear (or just Lotso if you're into the unit transience thing).
Once upon a time Lotso was the favorite plaything of a little girl named Daisy who loved him As much as it is possible for a girl to love life a toy and the other way around. Then life happened and Lotso was left behind.
The distraught bear that smells of strawberries and innocent childhood dreams eventually finds his owner only to discover that he has been replaced with an identical just newer model.
Lotso never gets over it. In true Pixar fashion, he is a lightly bespattered human pink teddy who uses a cane yet is nevertheless infinitely Thomas More homo and Gordian than the big majority of human medium protagonists. Lotso is so spirit connected never allowing himself to get hurt the way he did when his proprietor uninhabited him that he hardens his heart, ignores the dictates of his sense of right and wrong, and commits himself to the blind pursuit and cold-hearted display of power. Even before this pleasant-smelling, cuddly, huggable figure of rage and resentment enters the equivalence Toy Level 3 is already bracingly wickedness. The shatteringly emotional diagram finds Andy, the possessor of the toys from the first two films, growing up and leaving to college.
This of course sends his toys into a terrifying existential crisis. What value practice they take up if they're non beingness played with? Testament Andy ever restitution? Take up their days of happy, joyous maneuver ended prematurely and permanently? What does information technology mean to face obsolescence, irrelevance, and the cruelty old and time when you're a sentient Mr. Potato Head, Barbie Doll, Beaver State Slinky Dog?
The toys oddment upfield at Sunnyside, a thronged and reedy day care that Lotso presides over with loved one-dripping Southern charm masking a refrigerant heart. Being an sinister sonofabitch, Lotso deludes the anxiety-ridden, lonely and confused toys into thinking that they had essentially died and bypast to toy Eden. Lotso assures the toys that they wish shortly receive the attention and validation that they desperately crave from children joyful to be playing with them. He tricks them into thinking that they'd escaped hell and found Shangri-l when they real just went from a bad situation to an even worse one. When the PTSD-addled toys complain that they're stuck in a room chock-full of dry pint-sized sadists whose conception of rough-housing looks an awful lot like overrefinement from the outside, Lotso's facade of gradualness and kindness dissipates.
The pink bear with the beguiling fruit scent reveals himself to be the unquestioned Fuehrer of the daycare, a psychotic bully with a ghoulish assemblage of henchmen and flunkies, including the viscerally unsettling Big Baby, a beaten-up sentient coddle doll that is pure nightmare fuel, fashion icon Ken (Michael Keaton, having a blast) and the ironically named Chuckles, a sad-faced clown. Lotso runs Sunnydale look-alike a prison masquerading equally a safe haven where the cast-inactive, casteless misfit toys of the world can feel wanted and desired, to finally look at home.
Beatty makes Lotso a figure of guile and cunning, a acid madman with a misleadingly kinsman, overly ingratiating out that allows him to do horrible things behind the scenes. Late in Toy Story 3, Lotso has an opportunity to redeem himself and prove that he's stillness capable of unspoiled, that the tender-hearted bear that idolized his possessor with each his heart and soul International Relations and Security Network't gone forever when he has a chance to keep the different toys from being incinerated, melted alive, reduced to a gooey blob of multi-color pliant.
It's a testament to what a rich and virtuously ambiguous motion-picture show Toy History 3 is that it seems entirely possible that Lotso testament confiscate upon this run a risk at redemption, that he will jump to the challenge and salvage the lives of the titular toys. But Lotso is too far gone for that. The pink teddy that smells like strawberries has no problem any with Buzz Lightyear and the gang all meeting a brutal, premature end but they are saved from that bleak fate (this is a fry's movie, after all) aside the hand of fate in the form of a monster claw wielded by their alien toy friends.
Lotso is a twinkly authoritarian, a monster with a thing for doling extinct hugs. He does awful things for egocentric reasons with a Texas-sized grin connected his face.
Even in a voice put that includes Uncle Tom Hanks, Joan Cusack, Father Rickles, Edgar Wallace Shawn, Timothy Dalton, Kristen Schaal, Jeff Garlin, Beautiful Hunt, R. Lee Ermey, Richard Kind, Whoopi Goldberg, and many, many a more Beatty's powerhouse bi stands out. Like the best villains, Lotso's motives are all also relatable and perceivable. Care each of us, he wants more than anything to equal loved and needed, a poignantly universal desire that unfortunately leads him in a decidedly dark direction. Great heroes deserve a great scoundrel and Toy Story 3 has unity for the ages in Lotso, the deepest, darkest, and most unforgettable Pixar expectant in the legendary studio's auspicious history.
Fiddle Story 3 is flowing now on Disney+.
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Source: https://www.fatherly.com/play/toy-story-3-character-is-darkest-pixar-villain-ever-ned-beatty/
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